Mimi, uttered in soft twin notes as MEE-mee, traces its lineage to the loving French and Hebrew diminutives of Maria and Miriam, yet in the whispering strokes of Japanese kanji—美美—it becomes “beauty doubled,” or, when penned in gentle hiragana as みみ, the “ear” that leans toward the hush of bamboo groves at dusk. It drifts through time like a paper lantern on a midnight river, both antique and startlingly modern, weaving threads of melody, artistry and quiet resilience into its silken syllables. Though modest in American use—hovering near the 926th rank in 2024 with just two dozen newborn bearers—its repeating echo endures, each little Mimi a luminous pearl born of continental romance and Eastern aesthetic grace. In its layers lie the promise of dawn’s first light, an invitation to cradle the world’s softest music in a single, resonant name.
| Mimi Chakraborty - |
| Mimi Imfurst - |
| Mimi Fariña - |
| Mimi Kennedy - |
| Mimi Faust - |
| Mimi Fawaz - |
| Mimi Hines - |
| Mimi Keene - |
| Mimi Lesseos - |
| Mimi Gurbst - |
| Mimi Chan - |
| Mimi Fayazi - |
| Mimi Plange - |
| Mimi Spencer - |
| Mimi Feigelson - |